JACK SANDERS | FAR OUT

RE gallery is pleased to invite you to JACK SANDER’S first solo show in Dallas titled “FAR OUT”. We will be hosting an opening reception for the artist Friday, May 17th from 7-10 pm, with an additional artist talk/pot luck Sunday, May 19th from 7-9 pm, [talk starts @ 7:30] and a closing reception Friday, June 7th from 7-10 pm. RE gallery is located at 1717 Gould Street, Dallas, TX 75215. [The brown and white renovated shotgun structure across Beaumont Street from Lee Harvey's Bar]. The gallery is open Wednesday-Sunday from 11-5 and by appointment. For inquiries contact Owner/Director, Wanda Dye at info@regallerystudio.com or at 972-974-3004.

JACK SANDERS | FAR OUT
Jack Sanders an Austin based designer/builder/artist, and all around renaissance man, will have his first solo show in Dallas at RE gallery + studio. Jack’s thoughtful and vernacular vocabulary draws upon the interrelationships between people, material, climate, music, food, and art specific to a particular place. The work ranges from collages constructed from re-purposed target practice papers, to various prints of west Texas skies and moons constructed from tortilla surfaces, to beautiful hand sketches of desert fauna often observed from his on site Design Build Adventures. In addition to the two dimensional works, Jack in collaboration with Spence Kellum, will install an inhabitable steel tetrahedron sculpture in a field site across from the gallery.

ARTIST BIO
Jack received his Masters of Architecture from The University of Texas at Austin and his Bachelors of Architecture from Auburn University, where he studied with Samuel “Sambo” Mockbee at the Rural Studio. His senior thesis, The Newbern Baseball Club, a sculptural backstop for the 100-year-old sandlot baseball club, represented the Rural Studio at the 2002 Whitney Biennial in New York. Sanders’ work at the Rural Studio has been exhibited worldwide and is featured in the books “Rural Studio: Samuel Mockbee and an Architecture of Decency” and “Proceed and Be Bold: The Rural Studio After Mockbee”, both published by the Princeton Architectural Press. Jack co-produced a feature-length documentary on Mockbee and his impact on the education of young architects. “Citizen Architect: Samuel Mockbee and the Spirit of the Rural Studio” premiered at South by Southwest Film Festival in 2010 and has since broadcast nationally on PBS as well as at universities, museums, and theaters around the world. Jack has been a visiting lecturer and studio instructor at Auburn University’s Rural Studio, Mississippi State University, and the University of Texas at Austin. He has also led several design build summer studios with Axis Mundi in Salvador de Bahia, Brazil and design build camps at El Comisco in Marfa, Texas. He lives in Austin, Texas with his wife and adventure partner Ann Tucker of AT Studio, their beautiful new baby girl Mary Vance and their 11-year-old chocolate lab, Daryl.

ARTIST WEBSITE
www.designbuildadventure.com

RECENT PRESS
NY Times May 4th 2013
http://www.nytimes.com/2013/05/02/garden/lessons-in-how-to-play-with-fire.html?smid=fb-share&_r=1&

Refueled Magazine May 2013 [pages 66-88]
http://issuu.com/refueled/docs/refueled_issue_11?mode=window

kristen cochran | stutter slip stack

RE gallery + studio is pleased to invite you to Kristen Cochran’s first solo exhibition titled “stutter slip stack”. We will be hosting an opening receptions for the artist Friday, April 12th from 6-10 pm, and Saturday April 13th from 6- 9 pm with an additional artist talk/pot luck Sunday, April 28th from 6-8 pm, and a closing reception Friday, May, 10th from 6-9 pm. RE gallery + studio is located at 1717 Gould Street, Dallas, TX 75215. [The brown and white renovated shotgun structure across Beaumont Street from Lee Harvey's Bar]. The gallery is open on Thursday, Saturday and Sunday from 11-5 and by appointment. [Art Fair Weekend please call before]. Kristen is represented by RE gallery for inquiries contact Owner/Director, Wanda Dye at info@regallerystudio.com or at 972-974-3004.

Artist Statement:

Stutter slip step,

Stack stammer spit:
To bridge that gap.,
Take this boot and dance.
And while you’re at it,
Rebuild with rubberbands.

Stuttering is a communication disorder in which the flow of speech is broken by repetitions (li-li-like this), prolongations (lllllike this), or abnormal stoppages (no sound) of sounds and syllables. There may also be unusual facial and body movements associated with the effort to speak.

Stutter slip step, stack stammer spit is one of many titles of this show which reveals my desire to bridge the gap between me and you or you and him or him and her or the collective us. I believe such gaps are bridged with tender and potent language. So, I’ve been searching for a language with weight, an elemental language, both glorious and base. This collection of work is the recent remains of an ongoing investigation for a language of/that matter(s). Each work embraces the ever-present possibility of a branguage leakdown.

The objects and drawings in Stutter, are the artifacts of this recent language excavation. Or, my collected attempts at acquisition. Some works utilize found architectural fragments as a form of primitive, physical language. Other works visualize these glyph-like characters in stacked, suspended or slipped states, suggesting miscommunication or missed-communications and the slipperiness of expressive attempts. Thin, transparent paper, floppy, luminous rubber, building blocks on stilts and piled letter forms are the means through which this work suggests the instability of language.

Artist Bio:

From the Pacific Northwest, Kristen Cochran moved to Texas to complete her MFA at The Meadows School of the Arts at Southern Methodist University in 2010. She has exhibited in the Pacific Northwest, Texas and New York, and has works in private collections in Italy and London. In Texas, Kristen has exhibited at Central Trak, Oliver Francis Gallery, Barry Whistler Gallery, Eastfield College, RE gallery + studio, WAAS Gallery and Women & Their Work for the 2011 Texas Biennial. She has been awarded residencies in Long Island City, NY, Mittersill, Austria and more recently been awarded the Jentel redsidency in Wyoming, commencing summer 2013. Kristen presently teaches drawing and sculpture at the University of Texas at Dallas and has taught at Southern Methodist University, The Nasher Sculpture Center and The Modern Art Museum of Fort Worth. Her site specific installation “Vacuum Drawing and MTV – Mapping the Void Limp Grid” was also featured in the April/Art issue of FD luxe in an article titled “The Original Arts District Arisen” written by Dr. Charissa Terranova and photographed by Nan Coulter. [link to article below]

http://fdluxe.dallasnews.com/2013/03/the-original-art-district-arisen.html/

www.kristencochran.com

kelly kroener | groundwork

RE gallery + studio is pleased to invite you to Kelly Kroener’s first solo exhibition titled “Groundwork”.  We will be hosting an opening reception for the artist Friday, March 8th from 6-9 pm, with an additional viewing/talk Sunday, March 24th from 6-7 pm, and a closing reception Friday, April 5th, from 6-9 pm. RE gallery + studio is located at 1717 Gould Street, Dallas, TX 75215. The gallery is open on Thursday, Saturday and Sunday from 11-5 and by appointment. Kelly is represented by RE gallery for inquiries contact Wanda Dye, Owner/Director at info@regallerystudio.com or at 972-974-3004.
Installation photography by Kevin Todora [link to album below]
Artist Statement:
Groundwork is an exploration of my own nature and sensibility as a creator. I remember reading once that “If something is to be beautiful, it must be true to its own nature.” This statement has remained with me since reading it long ago. For this group of work I was fortunate enough to experiment with color more playfully than I ever have before. By having large amounts of color, heavy muslin and sand around my studio I’ve been able to challenge my hands and prod my understanding of these simple elements. I prefer to use textiles in my work because of their familiarity during my studies in fashion and fiber. Through diligent practice I learned how to manipulate and drape pieces of fabric on forms and walls. It was not as clear to me then, as it is now, that I have a particular way of making and creating. Upon finding a fabric I enjoy, I begin to inherently seek out what it is best at doing. With much of the fabric in “Groundwork”, I found that it worked best when loosely constructed with soft curves and right angles, responding to gravity, geometry, and dimension. Color, an integral and important part of the process, responded to, as well as informed shape and line. Through this work I am also moving towards realizing a dream, which is to make artwork that is honest and meaningful to others. Excellence is rarely found where due practice and deep knowledge of fundamentals is lacking. If I am ever to excel past the intermediate term of art making, I know that it is integral for me to understand my intrinsic approaches towards mediums and in practice. Therefore in this series, I am working and revisiting some simple elements that I perhaps knew, but didn’t understand initially. I love and am thankful for these pieces, which have helped me understand and embrace aspects of myself that were not evident to me before.
Artist Bio:
Born in Cincinnati Ohio, Kelly grew up in a rural setting to working class parents. Horseback riding and drawing were the primary activities that engaged her time spent there. Upon moving to Chicago to attend the School of the Art Institute, she studied fashion and sculpture. During her studies at SAIC she found a community of artists who took strong initiative to find their own ways of making progress and realizing goals. It was also here that she discovered how working in artist groups can help drive the creative spirit of many. Upon graduation Kelly moved to Baltimore where she began a focused studio practice while teaching at risk youth for a local non-profit. The material vocabulary and personal praxis she discovered there, has been the source from which much of her work has matured. Now in Dallas she is an active participant in the arts scene and a member of the arts group S.C.A.B. In 2011 she co-founded Homeland Security Gallery in the Cedars neighborhood with her partner Eli Walker. In this domestic gallery they seek to expose Dallas to new artists in the humble setting of a home.  It is a set goal of hers to be a vital and formative asset of Dallas’s cultural environment as well as contributing meaningful work to the world-view of artistic innovation.
Artist Press:
Article by Dr. Michael Corris on S.C.A.B. – Socialized Contemporary Artist Bureau
Interview with Kelly on Conversations in the Void hosted by Joshua von Ammon,
directed and produced by Frank Darko
“Socialized Medicine” in April/Art issue of FD luxe written by Dr. Michael Corris and
produced and photographed by Nan Coulter
“The Original Arts District Arisen” in April/Art issue of FD luxe
written by Dr. Charissa Terranova and photographed by Nan Coulter

arthur peña | paintings are objects…and possibly people

RE gallery + studio is pleased to invite you to Arthur Peña’s second solo exhibition in Dallas titled “paintings are objects… and possibly people”. Along with the exhibition will be a catalog produced by Mr. Peña including an essay titled – “Defiantly Painting” written by Dr. Charissa Terranova. We will be hosting an opening reception for the artist Friday, February 8th from 6-10 pm, with an additional viewing/talk Sunday, February 17th from 6-7 pm, and a closing reception Friday, March 1st, from 6-10 pm. RE gallery + studio is located at 1717 Gould Street, Dallas, TX 75215. The gallery is open on Thursday, Saturday and Sunday from 11-5 and by appointment. For information contact Wanda Dye at info@regallerystudio.com or at 972-974-3004.

Installation photography by Kevin Todora [link to album below]

https://www.facebook.com/media/set/?set=a.439008242836400.94804.219130138157546&type=3

See an interview with Peña on Conversations in the Void hosted by Joshua von Ammon and directed by Frank Robertson. [link below]

Press:

Review/Preview written by D magazine Arts Editor Peter Simek http://frontrow.dmagazine.com/2013/02/this-weeks-visual-art-feb-7-12-gallery-openings-news-reviews-and-more/

Sneak Peek of show and essay posted this morning on New American Painting http://newamericanpaintings.wordpress.com/2013/02/07/arthur-pena-at-re-gallery-studio/

_______________________________________________________

Artist Statement:
_______________________________________________________

painting (a possible definition)
occupied space within a stretcher that occupies space on a wall.
possible example: there is no way that anyone would confuse a painting for a sculpture.
_______________________________________________________

a story told by bruce nauman as I remember:
so i was invited over to jasper’s house for lunch. i got there and we sat at this table, you know just a small table with a few chairs. anyway, i sat and we ate some sandwiches and jasper asked if i wanted some whiskey. he really had a thing for makers. so there we are kicking back these whiskey shots in the middle of the afternoon and i hear a knock at the door. jasper says, “come in.” i turn around and i see merce walk in the door. so, he walks over to the table and i get up to greet him. i guess jasper and i had drunk a little too much because as i stood up i felt my legs just give out and i fell to my knees in front of merce. he looks down at me and says, “well, that’s a start.” so, uh yeah, that’s how i met merce cunningham.
_______________________________________________________

painting (a possible definition)
occupied space within a stretcher that reflects the presence of another.
possible example: only this person could have made this painting.
_______________________________________________________

leaning back in his chair, with his right hand touching his mouth and a sure look in his eyes, quentin jumps forward and begins “now that’s what i’m always trying to do with my genre films. i’m trying to re-invent them. that’s what i’m trying to do. i don’t know if im successful or not but that’s the attempt. to take something you’ve seen before. i love it, i respect it and i’m gonna deliver the goods. i’m not just gonna be some arty guy going off, you know,” he mumbles slightly, “but i’m delivering the goods but i’m also trying to, you know, re-invent it in a way, alright. do something… something, do it in a much different way that you’ve ever seen before. like in the case of reservoir dogs. again, it’s not the case of just trying to be a clever boy, just like clever ideas. it’s gotta, like, work dramatically,” the tone shifts into a certain seriousness. “alright, but like ya’ know, do a heist film. deliver the goods of a heist film but it’s a heist film where you never see the heist.” he exhales into a slight laugh as he leans forward, punctuating his thought.
_______________________________________________________

Arthur Peña (born 1982, Dallas, TX) has had both group and solo shows in Chicago, Providence, New York, Massachusetts, Detroit, Philadelphia and Dallas. He is currently a contributing writer to Brooklyn based contemporary art site curbsandstoops.com as well as New American Paintings where his recent interview with artist B.Wurtz will be published in February. Peña received his BFA at the University of North Texas and his Post-Baccalaureate from the School of the Art Institute of Chicago. He received his MFA in Painting from the Rhode Island School of Design in 2012. Peña has taught at UNT and is currently teaching at Mountain View College where he will mount a solo show in October, 2013. Peña currently lives and works in Dallas.

 

ricardo paniagua | CHAMP!

CHAMP! [new works by Ricardo Paniagua]

Ricardo Paniagua has been a prolific artist in Dallas for nearly a decade. His vibrantly colored geometric paintings and sculptures are exquisitely precise. Paniagua is self taught and a descendent of four generations of Master tile setters and craftsmen. He has shown in Dallas, Houston, Austin, San Antonio, as well as at the 2011 Texas Biennial. This new body of work produced exclusively for his first show at RE gallery emerged from his latest resin casting/painting/molding experiments. Each piece is of similar size and shape, and yet the three dimensional impressions created from reforming the surfaces through hand sculpted foil and vinyl molds, as well as the various layers of pigment, present a rigorous iterative process making each one invariably unique. This new body of work moves away from his more Cartesian based graphic experiments, and more towards topological and tactile making.

Installation photography by Neva Everett [link to album below]

https://www.facebook.com/media/set/?set=a.423167317753826.92731.219130138157546&type=3

Artist Press:

“Ricardo Paniagua Conquers Texas” by Betsy Lewis

http://glasstire.com/2013/03/19/ricardo-paniagua-conquers-texas/

“Review of CHAMP!” By Todd Camplin

http://moderndallas.net/ricardo_paniagua_re_gallery.html

 

 

 

 

ILLUMINATIONS

ILLUMINATIONS is an exhibition of selected artists and designers invited to create light sculptures, fixtures, and assemblages utilizing RE practices. As a counterpoint to mass production, these experiments question the generic and the ubiquitous produced and reproduced in our homogenized landscape. With each piece unique from the reclaimed, recycled, or re-purposed material and media at hand, as well as how that material is manipulated, assembled, or fabricated – the works move toward ideas of mass craft and customization. Particular pieces also call into question planned obsolesce, as well as style, taste, and “trends”, through their inventive juxtapositions of period components, functions, materials, and finishes. It is through the RE practices, and making the familiar slightly unfamiliar that differentiated hybrids are produced.Curated by owner and director, Wanda Dye. Opening reception Friday 11.02.12 | 7-11pm. Cedars Open Studios reception Saturday 11.17.12 |12-6pm.
Installation photography by Neva Everett and David Moynihan [link to album below]

Participants:
A GRUPPO Architects
Anderson Anderson Architecture
William Baker and Liz Kerrigan
Scott Barber [from the collection of Summer Whitley]
Amy Barkow and Christian Lynch
Mary Benedicto
Michael Bessner
BBIITT
Christopher Blay
Kristen Cochran
Gary Cunningham
Wanda Dye
fieldoffice
Sally Glass
LOT-EK [from the collection of Janeil Engelstad and Pam Miller]
Albert Marichal Studio
Mark Martinek
Marc McCollom
Meyer Davis Studio
Michael Mazurek
Sherry Owens
Rael San Fratello Architects
Sam Schonzeit
Dan Shipley
studiomodo with laruche
Springer Design Studio
Alison Starr
Stash Design
Trent Straughan
TOPOCAST
Jared White

Press:

“Unconventional House Turned Art/Studio RE gallery Launches with Experimental ILLUMINATIONS” by Kendall Morgan [link below]

http://dallas.culturemap.com/search/?q=A%20Gruppo%20Architects&stype=tagged